Rich colors and subtle shades, and a beautiful bokeh and a well-defined sense of depth. When the photographer's inspiration is truly reflected in all these elements, photographs will become more than mere records - they will evolve into truly impressive works of art.
The PENTAX K-1 Mark II has been created as the flagship model that will fulfill this goal. It features a new, advanced image-processing system to deliver the beautiful image quality which all photographers demand. It produces images that are rich in color and gradation, high in resolution, and superb in bokeh rendition.
The Pixel Shift Resolution System II - the PENTAX-original super-solution technology - now accommodates handheld photography. The AF system featuring a new algorithm assures high-precision focusing even with moving subjects.
While inheriting the PENTAX K-1's development concept, the PENTAX K-1 Mark II has advanced technologies to near perfection. When your creativity is in complete harmony with the camera, your photography will truly come alive.
NEWTop sensitivity of ISO 819200 enhances image quality, and expands the creative boundaries of high-resolution digital SLR photographyState-of-the-art imaging processing system Greatly improved image quality, even in high-sensitivity photography |
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NEWThe advanced Pixel Shift Resolution System II for super-high-resolution imagesA PENTAX technology to produce high-quality images beyond the power of total pixels |
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The K-1 Mark II overcomes challenging field conditions, such as poor weather, darkness and freezing temperaturesFive-axis, five-shutter-step camera shake compensation Dependable dustproof, weather-resistant construction |
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| RAW | JPEG | ||||||||||||
| Recorded Pixels | (7360x4912) | L: 36M | M: 22M | S: 12M | XS: 2M | ||||||||
| (7360x4912) | (5760x3840) | (4224x2816) | (1920x1280) | ||||||||||
| Quality Level | PEF | ★★★ | ★★ | ★ | ★★★ | ★★ | ★ | ★★★ | ★★ | ★ | ★★★ | ★★ | ★ |
| 8GB | 101 | 351 | 676 | 1164 | 572 | 1096 | 1874 | 1054 | 2013 | 3364 | 4723 | 8469 | 12927 |
[shots]
| RAW | JPEG | ||||||||||||
| Recorded Pixels | (4800x3200) | L: 15M | M: 12M | S: 8M | XS: 2M | ||||||||
| (4800x3200) | (4224x2816) | (3456x2304) | (1920x1280) | ||||||||||
| Quality Level | PEF | ★★★ | ★★ | ★ | ★★★ | ★★ | ★ | ★★★ | ★★ | ★ | ★★★ | ★★ | ★ |
| 8GB | 215 | 821 | 1564 | 2669 | 1054 | 2013 | 3364 | 1564 | 2959 | 4912 | 4723 | 8469 | 12927 |
[shots]
| RAW | JPEG | ||||||||||||
| Recorded Pixels | (4912x4912) | L: 24M | M: 14M | S: 6M | XS: 2M | ||||||||
| (4912x4912) | (3744x3744) | (2592x2592) | (1440x1440) | ||||||||||
| Quality Level | PEF | ★★★ | ★★ | ★ | ★★★ | ★★ | ★ | ★★★ | ★★ | ★ | ★★★ | ★★ | ★ |
| 8GB | 101 | 525 | 1006 | 1717 | 899 | 1717 | 2889 | 1846 | 3459 | 5712 | 5582 | 9824 | 15351 |
[shots]
| Recorded Pixels | Full HD (1920×1080) |
HD (1280×720) |
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| 60i | 50i | 30p | 25p | 24p | 60p | 50p | |
| 8GB | 00:32′15″ | 00:38′21″ | 00:32′15″ | 00:38′21″ | 00:39′51″ | 00:32′15″ | 00:38′21″ |
[Hours : Minutes' Seconds'']
* You can record up to 25 min. or 4GB movie for one shooting.
* ‘Testing your camera’ refers to confirmed operation by RICOH IMAGING, and is intended for customer convenience but is not a guarantee by RICOH IMAGING to the customer.
* Use a high-speed SD memory card when recording movies. If the writing speed cannot keep up with the recording speed, writing may be interrupted during recording.
To reproduce lively colors and rich gradations close to memory colors in all sensitivity ranges, the PENTAX K-1 Mark II newly incorporates an original accelerator unit, which efficiently processes image signals output by the image sensor before sending them to the imaging engine. This process upgrades both image resolution and color reproduction in a high-sensitivity range, while drastically reducing noise compared to the PENTAX K-1. It also helps bring the camera's top sensitivity up to ISO 819200 (at standard output sensitivity) for high-grade, super-high-sensitivity photography.
The PENTAX K-1 Mark II's PRIME IV imaging engine is the culmination of PENTAX's high-speed, high-quality image processing technologies. In addition to highly efficient noise processing, it features Fine Sharpness and Extra Sharpness functions to process the subject's outlines more naturally and more delicately, and the PENTAX Real-time Scene Analysis System, which has adopted a breakthrough deep learning technology. It also effectively compensates for the distortion, vignetting and chromatic aberration caused by specific lens properties, while efficiently correcting the fringe effect.*
* Available in combination with D FA-, DA-, DA L- and FA-series lenses. Some of these lenses may not be compatible with these functions.
The PENTAX K-1 Mark II's 35mm full-frame image sensor features a large imaging area and a wide pixel pitch to deliver lively, true-to-life images with rich gradation. It also assures superb noise reduction performance to capture the subject truthfully with fine details and subtle shades. Its shallow depth of field allows you to control the sense of depth and bokeh (defocus) effect at will.
The PENTAX K-1 Mark II features an AA (anti-aliasing)-filter-free design to optimize image resolving power. This design produces true-to-life images by faithfully depicting the fine details of the subject. It retains excellent resolution, even when the image is cropped during shooting, or the captured image is trimmed during processing. It allows you to capture the decisive moment in a sharp, clear image.
The PENTAX-original AA (anti-aliasing) filter simulator* effectively minimizes moiré and false color by using the camera's SR mechanism to apply microscopic vibrations to the image sensor during exposure. It provides the option of choosing the AA-filter effect for well-balanced images or the AA-filter-free mode for greater resolving power.
* This function works most effectively with a shutter speed of 1/1000 second or slower.
* This function may not be used in some shooting modes, or may not be combined with certain functions.
PENTAX's Pixel Shift Resolution System II* is the super-solution technology which realizes image resolving power and color reproduction far better than that of the conventional Bayer system. By taking advantage of the camera's SR II mechanism, it captures four images of the same scene by slightly shifting the image sensor for each image, obtaining all RGB color data and luminance data from each pixel, then synthesizing them into a single, super-high-resolution composite image. It not only improves image resolving power, but also prevents the generation of false color, reduces high-sensitivity noise, and greatly improves image quality.
The images captured by the Pixel Shift Resolution System can be saved as RAW-format files. You can develop these files within the camera body while adjusting various parameters or turning the Pixel Shift Resolution effect on and off to create the desired image.
In addition to conventional shooting modes, the Pixel Shift Resolution System II features a new Dynamic Pixel Shift Resolution mode*, an innovative technology that takes advantage of slight fluctuations of the subject's position during handheld shooting. The camera closely analyzes four captured images and detects camera shake during handheld shooting before synthesizing them into a super-high-resolution composite image.** By combining this mode with the camera's SR II mechanism, you can use the advanced Pixel Shift Resolution System II more flexibility, even in difficult shooting conditions such as shooting at poorly lit locations or without using a tripod.
The PENTAX-original sensor-shift-type shake reduction mechanism has been upgraded to provide optimum compensation for all lenses used in handheld shooting. The new-generation SR II (Shake Reduction II) features a five-axis mechanism to compensate for camera shake caused by horizontal and vertical shift* (often generated in macro photography) and camera shake caused by roll, which is difficult to handle by lens-installed shake reduction mechanisms, in addition to more common camera shake caused by pitch and yaw. The SR II unit is controlled with great precision as soon as the camera's power is turned on, and provides a wide compensation range - as much as five shutter steps** - to expand the limits of handheld shooting.
When taking a panning shot, this mechanism efficiently controls the SR unit to detect only the direction of the camera’s movement, while compensating for all other affecting vectors. Because of this, the K-1 Mark II captures beautiful, high-resolution images both in normal shooting and panning photography, without requiring any switching operation.
An illumination level of -3EV makes it difficult to see a subject with the naked eye, and almost impossible to make accurate focus with manual focusing. Even under such low-illumination conditions, the K-1 Mark II assures high-precision auto-exposure and autofocus operations.* Thanks to its upgraded algorithm, its autofocus response time for poorly illuminated subjects is greatly reduced. Coupled with its super-high-resolution imaging power, the K-1 Mark II delivers exceptional shooting performance in dark locations.
The camera's outdoor-oriented monitor, which provides easy setting of the brightness level, has been upgraded. In addition to positive settings to assure the correct brightness level in bright locations, it now provides negative settings to improve visibility in dark locations. It also features a red-lit monitor display function to facilitate monitor viewing when your eyes have become accustomed to a dark location during astronomical or nighttime photography. By assigning this function to the Fx1 button, you can instantly switch the monitor display between the normal and red-lit modes.
Four Operation Assist Lights are strategically positioned around the camera body: at the upper side of the lens mount, behind the LCD monitor, at the memory card slot, and at the cable switch terminal. With a push of the illumination button, you can turn them on* to facilitate lens and memory card changes, control button operations, and attachment and removal of a cable switch, for more efficient, comfortable shooting of nighttime outdoor scenes and poorly lit indoor subjects.
A combination of the K-1 Mark II's 87 sealing parts and the optional D-BG6 Battery Grip's watertight body prevents the intrusion of water and dust into their interior. When an AW- or WR-series lens is mounted,* the K-1 Mark II and its lens forms a remarkable digital imaging system totally resistant to demanding environmental factors.
Using its piezoelectric element, this innovative mechanism applies ultrasonic vibrations to the optical glass panel placed in front of the image sensor. This effectively removes all dust particles clinging to the image sensor surface, and prevents annoying dust spots from appearing on a captured image.
Anticipating use in cold locations, PENTAX has subjected the K-1 Mark II to exacting environmental tests at temperatures as low as -10°C, and gathered a vast array of data on operational precision, response and stability of mechanisms and circuits, as well as fluctuations in battery voltage.* As the result, the K-1 Mark II assures solid, trouble-free operation even at freezing temperatures.
* Battery performance declines as the temperature goes down. When shooting in cold environments, the user is advised to carry spare batteries and keep them warm by storing them in an inside pocket.
The K-1 Mark II's exterior casing is made of highly rigid, lightweight magnesium alloy, which provides excellent shock-resistance and electromagnetic shielding performance. By coupling it with a high-rigidity metallic chassis housing the core components, the K-1 Mark II forms a compound structure to assure outstanding durability and exceptional reliability.
After a series of exacting performance tests, the K-1 Mark II's shutter unit has proven its exceptional durability by withstanding a total of 300,000 shutter releases. It assures outstanding operational precision and exceptional durability required for exacting professional work.
The K-1 Mark II's card slot accepts two SD memory cards, with a choice of three data filing modes: "Serial" to store a large volume of data successively from one card to another; "Duplicate" (simultaneous filing) for simplified data backup, and "RAW/JPEG Division" to separate data files based on the recording format. It is also possible to copy an image stored on one card to another.
The K-1 Mark II's Smart Function is a brand-new camera operation system harmonizing an array of features with ease of operation. This functional camera operation system lets you swiftly choose and set the desired function using just two dials positioned on the camera's upper panel, without needing to refer to the menu screen on the LCD monitor.
Aiming at aligning the photographer's line of sight precisely with the camera's optical axis while providing a flexible angle adjustment, PENTAX has designed an ideal LCD monitor for the K-1 series by creating an innovative mechanism that supports the monitor with four stays. This monitor has reached two difficult goals that conventional monitors have failed to attain: no deviation from the optical axis; and unrestricted tilt in all directions, horizontally or vertically. You can even tilt it up to a nearly 90-degree angle for low-angle and waist-level photography.
The K-1 Mark II features a built-in GPS module and Electronic Compass, which together display the camera's direction on the LCD monitor. These features allow you to attach Exif data to recorded images, including the location, direction and time of shooting (using Universal Time Coordinated). This comes in particularly handy in situations where you must make meticulous preparations in advance for the direction of shooting, such as the shooting of sunrise scenes and celestial bodies.
The K-1 Mark II's GPS Log function automatically keeps track of the photographer's movement at fixed intervals. By loading a log file on your computer, you can trace the route you have traveled using a mapping application such as Google Earth™.
By making full use of its GPS module, Electronic Compass and SR II mechanism, the K-1 Mark II simplifies the astronomical photography of celestial bodies, without the help for an equatorial. Based on the latitude data obtained from GPS satellites and other affecting factors (the camera's direction and horizontal/vertical tilt) obtained by its various sensors, the K-1 Mark II calculates the movement of celestial bodies, then synchronizes the movement of its image sensor with that of celestial bodies with great precision. Since it captures stars without a streaking effect even during extended exposures, you can record faint stars, which are difficult to detect with the naked eye, as point images.
In the Live View mode, the PENTAX K-1 Mark II provides a wide range of picture-taking tools. The Flexible Tilt-type LCD monitor lets you clearly view the on-screen image from different angles to optimize shooting comfort. In addition to the conventional focal-plane shutter mode, it also offers the option of the electronic shutter mode, effective in macro and scenic photography in minimizing the vibrations caused by shutter release of the camera's mechanical shutter unit.
A choice of AF modes: Face Detection, Auto Tracking, Multi-segment Auto, Select and Spot
Focus Assist to emphasize the outline of the in-focus area
A choice of grid display from five patterns and two colors (white and black)
Zoom display with a maximum magnification of 16 times for easy confirmation of focus condition
By taking advantage of its SR II mechanism, the K-1 Mark II helps you compose well-balanced, flawless images. The Auto Horizon Correction function* rotates the image sensor to compensate for the camera's horizontal tilt, making it useful in handheld shooting. The Composition Adjustment function** allows you to make minute adjustment of image composition with a shift of the image sensor. It comes in handy for Live View shooting using a tripod.
The K-1 Mark II's Digital Level displays bar scales at the right side and bottom of the viewfinder to indicate the horizontal and vertical tilt of the camera, allowing you to confirm the horizontal and vertical alignment of the subject without taking the eye off the subject. You can also display the Digital Level on the LCD monitor during viewfinder shooting, Live View shooting and movie recording.
This function lets you set the bulb timer for exposure durations from 10 seconds to 20 minutes, improving operability in bulb shooting.
In addition to the three cropping modes (Auto, FF and APS-C), the camera also provides a 1:1 cropping mode. The viewfinder also displays a 1:1 picture frame to facilitate image composition.
From ultra-wide angle to super telephoto, an entire selection of high-performance DA-series lenses can be used on the K-1 Mark II without any modification. They deliver exceptional image quality, despite their compact, lightweight design.
When a DA★-, DA Limited- or DA-series lens is mounted on the K-1 Mark II, its Crop mode automatically switches an image area to the APS-C size covering the middle section of the image field, while displaying the cropping frame in the viewfinder. It not only assures high-resolution images with approximately 15.36 effective megapixels, but also provides an efficient AF sensor coverage of the image area for more flexible image composition during autofocus operation. When you select the FF (Full Frame) setting of the Crop mode, you can even capture a 35mm full-frame image with a DA-series lens.*
* With certain lenses and/or under certain photographic conditions, a captured image may suffer a drastic drop in brightness and/or resolution in the areas outside the APS-C image area. This setting does not provide compensation of various lens aberrations
Model Description | |
|---|---|
| Type | TTL autofocus, auto-exposure SLR digital-still camera |
| Lens Mount | PENTAX KAF2 bayonet mount (AF coupler, lens information contacts, K-mount with power contacts) |
| Compatible Lens | KAF4, KAF3, KAF2 (power zoom compatible), KAF, KA mount lens |
Image Capture Unit | |
| Image Sensor | Primary color filter, CMOS. Size: 35.9 x 24.0 (mm) |
| Effective Pixels | Approx. 36.40 megapixels |
| Total Pixels | Approx. 36.77 megapixels |
| Dust Removal | Image sensor cleaning using ultrasonic vibrations "DR II" |
| Sensitivity (Standard output) |
ISO AUTO/100 to 819200 (EV steps can be set to 1EV, 1/2EV or 1/3EV) |
| Image Stabilizer | Sensor-shift shake reduction (SRII: Shake Reduction)(5-axis) |
| AA Filter Simulator | Moiré reduction using SR unit. OFF/Type1/Type2/Bracketing(2 images)/Bracketing (3 images) |
File Formats | |
| File format | RAW (PEF/DNG), JPEG (Exif 2.3), DCF2.0 compliant |
| Recorded Pixels | [35mm Full Frame] JPEG: L(36M:7360x4912), M(22M:5760x3840), S(12M:4224x2816), XS(2M:1920x1280) RAW: (36M:7360x4912) [APS-C size] JPEG: L(15M:4800x3200), M(12M:4224x2816), S(8M:3456x2304), XS(2M:1920x1280) RAW: (15M:4800x3200) |
| Quality Level | RAW (14bit): PEF, DNG JPEG: ★★★ (Best), ★★ (Better), ★ (Good), RAW + JPEG simultaneous capturing available |
| Color Space | sRGB, AdobeRGB |
| Storage Medium | SD, SDHC and SDXC Memory Card (Conforms to USH-I standards) |
| Dual SD slot | Sequential Use, Save to Both, Separate RAW/JPEG, Image copy between slots possible |
| Storage Folder | Folder Name: Date (100_1018,101_1019...) or User assigned folder name (Default "PENTX") |
| Recording File | File Name: "IMGP****" or User assigned file name File name numbering: Sequential, Reset |
Viewfinder | |
| Type | Pentaprism Finder |
| Coverage (FOV) | Approx. 100% |
| Magnification | Approx. 0.70x (50mmF1.4 at infinity) |
| Eye-Relief Length | Approx. 20.6mm (from the view window), Approx. 21.7mm (from the center of lens) |
| Diopter Adjustment | Approx. -3.5m to + 1.2m-1 |
| Focusing Screen | Fixed Natural-Bright-Matte III focusing screen |
| Viewfinder Overlay | AF Points, Grid Display, Electronic Level, AF Frame, Spot Metering Frame, Crop |
Live View | |
| Type | TTL method using image sensor |
| Focusing Mechanism | Contrast detection (Face detection, Tracking, Multiple AF points, Select, Spot) Focus Peaking: ON/OFF |
| Display | Field of View approx. 100%, Magnified view (up to 16x), Grid Display (4x4 Grid, Golden Section, Scale display, Square 1, Square 2, Grid Color: Black/White ), Histogram, Bright area warning, Composition Adjustment |
LCD Monitor | |
| Type | Wide viewing angle TFT color LCD, Air-gapless glass. Flexible-tilt. |
| Size | 3.2 inch (aspect ratio 3:2) |
| Dots | Approx. 1037K dots |
| Adjustment | Brightness, Saturation and Colors adjustable |
| Outdoor View Setting | Adjustable ±2 step |
| Night Vision LCD Display | ON/OFF |
White Balance | |
| Type | Method using a combination of the image sensor and the light source detection sensor |
| White Balance | AUTO WB, Multi Auto WB, Daylight, Shade, Cloudy, Fluorescent Light (D:Daylight Color, N:Daylight White, W:Cool White, L:Warm White), Tungsten Light, CTE, Manual WB (up to 3 settings), Color Temperature Configuration (up to 3 settings), Copying the white balance setting of a captured image |
| Fine Adjustment | Adjustable ±7 steps on A-B axis or G-M axis |
Autofocus System | |
| Type | TTL: Phase-matching autofocus |
| Focus Sensor | SAFOX 12, 33 point (25 cross type focus points in the center) |
| Brightness Range | EV-3 to 18 (ISO 100 / at normal temperature) |
| AF Mode | Single AF (AF.S), Continuous AF (AF.C) |
| AF Point Selection | Spot, Select, Expanded Area (S, M, L), Zone select, Auto (33 AF points) |
| AF Assist Light | Dedicated LED AF assist light |
Metering | |
| Type | TTL open aperture metering using 86K pixel RGB sensor, Multi-segment, Center-weighted and Spot metering |
| Metering Range | EV-3 to 20 (ISO100 at 50mm F1.4) |
| Exposure Mode | Scene Analyze Auto, Program, Sensitivity Priority, Shutter Priority, Aperture Priority, Shutter & Aperture Priority, Manual, Bulb, Flash X-sync Speed, USER1, USER2, USER3, USER4, USER5 |
| EV Compensation | ±5EV (1/2EV steps or 1/3EV steps can be selected) |
| AE Lock | Button type (timer type: two times the meter operating time set in Custom Setting); Continuous as long as the shutter button is halfway pressed |
Shutter | |
| Type | Electronically controlled vertical-run focal plane shutter * Electronic shutter when using Pixel Shift Resolution |
| Shutter Speed | Auto:1/8000 to 30 sec., Manual:1/8000 to 30 sec. (1/3EV steps or 1/2EV steps), Bulb (Timed exposure setting possible from 10 sec. to 20min.) |
| LV Electronic Shutter | ON/OFF |
Drive Modes | |
| Mode Selection | Still Image: Single Frame, Continuous (H, M, L), Self-timer (12s, 2s, Continuous), Remote Control (0s., 3s., Continuous), Bracketing (2, 3 or 5 frames), Mirror-up (Possible to use with Remote Control), Multi-Exposure (Possible to use with Continuous, Self-timer or Remote Control), Interval Shooting, Interval Composite, Interval Movie Record, Star Stream Movie: Remote Control * Bracketing, Interval Shooting, Interval Composite, Interval Movie Record and Star Stream are possible to use with Self-timer/Remote Control. |
| Continuous Shooting | [35mm full-frame] Max. approx. 4.4 fps, JPEG ( L: ★★★ at Continuous H): up to approx. 70 frames, RAW: up to approx. 17 frames Max. approx. 3.0 fps, JPEG L: ★★★ at Continuous M): up to approx. 100 frames, RAW: up to approx. 20 frames Max. approx. 0.7 fps, JPEG ( L: ★★★ at Continuous L): up to approx. 100 frames, RAW: up to approx. 100 frames [APS-C size] Max. approx. 6.4 fps, JPEG ( L: ★★★ at Continuous H): up to approx. 100 frames, RAW: up to approx. 50 frames Max. approx. 3.0 fps, JPEG L: ★★★ at Continuous M): up to approx. 100 frames, RAW: up to approx. 70 frames Max. approx. 1.0 fps, JPEG ( L: ★★★ at Continuous L): up to approx. 100 frames, RAW: up to approx. 100 frames *ISO100 |
| Multi-Exposure | Composite Mode(Additive/Average/Bright) Number of Shots(2 to 2000 images) |
| Interval Shooting | [Interval Shooting] Interval: 2s. to 24h./ Standby Interval: Min.・1s. to 24h., Number of shots: 2 to 2000 images, Start Interval: Now/Self-timer/Remote Control/Set Time [Interval Composite] Interval: 2s. to 24h./ Standby Interval: Min.・1s. to 24h., Number of shots: 2 to 2000 images, Start Interval: Now/Self-timer/Remote Control/Set Time, Composite Mode: Additive/Average/Bright, Save Process: On/Off [Interval Movie] Recorded Pixels: 4K/FullHD/HD, File Format: Motion JPEG (AVI), Standby Interval: Min・1s. to 24h., Number of shots: 8 to 2000 images (8 to 500 images at 4K), Start Interval:Now/Self-timer/Remote Control/Set Time [Star Stream] Recorded Pixels: 4K/FullHD/HD, File Format: Motion JPEG (AVI), Standby Interval: Min・1s. to 24h., Number of shots: 8 to 2000 images (8 to 500 images at 4K), Start Interval: Now/Self-timer/Remote Control/Set Time, Fade-out: Off/Low/Medium/High |
External Flash | |
| Flash Modes | Auto Flash Discharge, Auto Flash + Red-eye Reduction, Flash On, Flash On + Red-eye Reduction, Slow-speed Sync, Slow-speed Sync + Red-eye, P-TTL, Contrast-control-sync, High-speed sync, Wireless sync * Contrast-control-sync and High-speed sync requires 2 or more dedicated external flash |
| Sync Speed | 1/200sec. |
| Flash Exposure Compensation | '-2.0~+1.0EV |
Capture Settings | |
| Custom Image | Auto Select, Bright, Natural, Portrait, Landscape, Vibrant, Radiant, Muted, Flat, Bleach Bypass, Reversal Film, Monochrome, Cross Processing |
| Cross Process | Random, Preset 1-3, Favorite 1-3 |
| Digital Filter | Extract Color, Replace Color, Toy Camera, Retro, High Contrast, Shading, Invert Color, Unicolor Bold, Bold Monochrome |
| Clarity | 'Adjustable ±4 step |
| Skin Tone | Type1/Type2 |
| HDR | Auto, HDR1, HDR2, HDR3, Advanced HDR, Exposure bracket value adjustable, Automatic composition correction function |
| Pixel Shift Resolution | Available, Motion Correction ON/OFF, Image Stabilization On |
| Lens Correction | Distortion Correction, Peripheral Illumin. Correction, Lateral Chromatic Aberration Correction, Diffraction Correction |
| D-RANGE Compensation | Highlight Correction, Shadow Correction |
| Noise Reduction | Slow Shutter Speed NR, High-ISO NR |
| GPS | GPS Logging (Logging Interval, Logging Duration, Memory Card Options), GPS Time Sync |
| Electronic Compass | Available |
| Astrotracer | Possible |
| Horizon Correction | SR On: correction up to 1 degrees, SR Off: correction up to 2 degrees |
| Composition Adjustment | Adjustment range of ±1.5mm up, down, left or right (1mm when rotated); Rotating range of 1 degree |
| Electronic Level | Displayed in viewfinder (Horizontal and vertical); Displayed on LCD monitor (Horizontal and vertical) |
Movie | |
| File Format | MPEG-4 AVC/H.264(MOV) |
| Recorded Pixels | Full HD(1920x1080, 60i/50i/30p/25p/24p) HD (1280x720, 60p/50p) |
| Sound | Built-in stereo microphone, external microphone (Stereo recording compatible) Recording Sound Level adjustable, Wind Noise Reduction |
| Recording Time | Up to 25 minutes or 4GB ; automatically stops recording if the internal temperature of the camera becomes high. |
| Custom Images | Auto Select, Bright, Natural, Portrait, Landscape, Vibrant, Radiant, Muted, Flat, Bleach Bypass, Reversal Film, Monochrome, Cross Processing |
| Cross Processing | Random, Preset 1-3, Favorite 1-3. |
| Digital Filter | Extract Color, Replace Color, Toy Camera, Retro, High Contrast, Shading, Invert Color, Unicolor Bold, Bold Monochrome |
Playback | |
| Playback View | Single frame, Multi-image display (6,12, 20, 35, 80 segmentation), Display magnification (up to 16, 100% display and quick magnification available), Grid display (4x4 Grid, Golden Section, Scale display, Square 1, Square 2, Grid Color: Black/White ), Rotating, Histogram (Y histogram, RGB histogram), Bright area warning, Auto Image Rotation, Detailed information, Copyright Information (Photographer, Copyright holder), GPS information (latitude, longitude, altitude, Coordinated Universal Time) , Orientation, Folder Display, Calendar Filmstrip Display, Slide Show, |
| Delete | Delete single image, delete all, select & delete, delete folder, delete instant review image |
| Digital Filter | Base Parameter Adj, Extract Color, Replace Color, Toy Camera, Retro, High Contrast, Shading, Invert Color, Unicolor Bold, Bold Monochrome, Tone Expansion, Sketch, Water Color, Pastel, Posterization, Miniature, Soft, Starburst, Fish-eye, Slim, Monochrome |
| RAW Development | RAW file select: Select Single Image, Select Multiple Images, Select a folder RAW Development Parameter: White Balance, Custom Image, Sensitivity, Clarity, Skin Tone, Digital filter, HDR, Pixel Shift Resolution, Shadow Correction, High-ISO NR, Distortion Correction, Peripheral Illumin. Corr., Lateral Chromatic Aberration Correction, Diffraction Correction, Color Fringe Correction, File Format (JPEG/TIFF), Aspect Ratio, JPEG Recorded Pixels, JPEG Quality, Color Space |
| Edit | Image Rotation, Color Moiré Correction, Resize, Cropping (Aspect ratio and Slant adjustment available), Movie Edit (Divide or delete selected frames), Capturing a JPEG still picture from a movie, Saving RAW data in buffer memory, Image Copy |
Customization | |
| USER Mode | Up to 5 settings can be saved |
| Custom Functions | 26 items |
| Mode Memory | 17 items |
| Button Customization | Fx1 Button, Fx2 Button (One Push File Format, Outdoor View Setting, Flash Mode, Pixel Shift Resolution, Shake Reduction, Horizon Correction, Electronic Level) AF Button (AF1/ AF2/ Cancel AF) Preview Dial (Optical Preview/Digital Preview) Various settings for the action of the e-dials in each exposure mode can also be saved. |
| AF Customization | AF.S: Focus-priority/ Release-priority 1st Frame Action in AF.C: Release-priority/Auto/Focus-priority Action in AF.C Continuous: Focus-priority, Auto, FPS-priority Hold AF Status: OFF, Low, Medium, High AF in Interval Shooting: Locks focus at 1st exposure, Adjusts focus for each shot AF with Remote Control: Off/On |
| Operation Control Lock | Type1: E-Dial, EV Compensation, ISO, Green Button, AE Lock Type2: 4-way controller, AF point change button, Change AF Point, OK Button, Menu Button |
| Text Size | Standard, Large |
| World Time | World Time settings for 75 cities (28 time zones) |
| Language | English, French, Germany, Spanish, Portuguese, Italian, Dutch, Danish, Swedish, Finnish, Polish, Czech, Hungarian, Turkish, Greek, Russian, Korean, Traditional Chinese, Simplified Chinese, Japanese |
| AF Fine Adjustment | ±10 step, Uniform adjustment, Individual adjustment (up to 20 can be saved) |
| Illumination Settings | LCD Panel (High/Low/Off), Backside Controls (High/Low/Off), Lens Mount (On/Off), Card Slot/Connector (On/Off) |
| Indicator Lamps | Wi-Fi (High/Low/Off), GPS (High/Low/Off), Self-timer (On/Off), Remote Control (On/Off) |
| Copyright Information | Names of "Photographer" and "Copyright Holder" are embedded to the image file. Revision history can be checked using the provided software. |
GPS/Electronic Compass | |
| Satellites | GPS, QZSS, SBAS(WAAS/EGNOS/GAGAN/MSAS) |
| Reception Frequency | L1 1575.42MHz |
| Recorded Information | Latitude, Longitude, Altitude, Time (UTC), Direction |
| Geodesics | World Geodetic System (WGS84) |
| GPS Logging | KML format, Logging Interval: 5/10/15/30sec. /1min., Logging Duration: 1-24hr. (Up to 9hours at Logging Interval 5sec. Up to 18hrs. at Logging Interval 10sec.) |
| Electronic Compass | Azimuth calculation using triaxial geomagnetic sensor and triaxial acceleration sensor, True north standard |
Power Supply | |
| Battery Type | Rechargeable Lithium-ion Battery D-LI90P |
| AC Adapter | AC Adapter Kit K-AC167(Optional) |
| Battery Life | Number of recordable images: Approx.: 670 images Playback time: Approx. 340 minutes * With a fully-recharged Rechargeable Lithium-ion Battery. Tested in compliance with CIPA standard. Actual results may vary depending on the shooting condition. |
Interfaces | |
| Connection Port | USB2.0 (micro B), External power supply terminal, External cable switch terminal, X-sync socket, HDMI output terminal (Type D) , Stereo microphone input terminal, Headphone terminal |
| USB Connection | MSC/PTP |
Wireless LAN | |
| Standards | IEEE 802.11b/g/n |
| Frequency (Center Frequency) | 2412MHz~2462MHz (1ch~11ch) |
| Security | Authentication: WPA2, Encryption: AES |
Dimensions and Weight | |
| Dimensions | Approx. 136.5mm (W) x110mm (H) x 85.5mm (D) (excluding protrusions) |
| Weight | Approx. 1010g (Including dedicated battery and SD Memory Card), Approx. 925g (body only) |
Operating Environment | |
| Temperature | -10°C~40°C (14°F~104°F) |
| Humidity | 85% or less (no condensation) |
| OS | Windows 10 (FCU/CU)(32bit/64bit) / Windows 8.1 (32bit/64bit) / Windows 8 (32bit/64bit) / Windows 7 (32bit/64bit) |
|---|---|
| CPU | Intel Core 2 Duo or higher |
| RAM | 4GB or more |
| Free Disk Space | Program installation and start-up: 100 MB or more of available space Image file saving: Approximately 15 MB per file (JPEG) / approximately 50MB (RAW) |
| Monitor | 1280 x 1024 dots, 24 bit full-color or more |
| OS | macOS v10.13 High Sierra / macOS v10.12 Sierra / OS X v10.11 El Capitan / OS X v10.10 Yosemite |
|---|---|
| CPU | Intel Core 2 Duo or higher |
| RAM | 4GB or more |
| Free Disk Space | Program installation and start-up: 100 MB or more of available space Image file saving: Approximately 15 MB per file (JPEG) / approximately 50MB (RAW) |
| Monitor | 1280 x 1024 pixels, 24 bit full-color or more |
* The operating system must be pre-installed in the computer, and updated to the latest version.
The system requirements above do not necessarily gurantee proper operation with all computers.
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